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Rosa Transitoria

April 15, 2019 By dillon Leave a Comment

ANTONIO FERNÁNDEZ SPENCER

ROSA TRANSITORIA

La poesía del dominicano Antonio Fernández Spencer es, sobre todo, poderosa. Un sentido de urgencia contenida, de primorosa nostalgia y asombro permean sus poesías, hechas de la delicada y evanescente sustancia de la imagen. La voz del poeta, transparente y luminosa, se acerca al objeto del amor o del deseo con una reverencia que parece provenir de siglos de observación sobre la naturaleza, el ser y  las cosas. Y ese asombro alcanza cada verso, cada palabra que vibra en él como si fuera la nota breve y secuencial de una guitarra que aguarda en la sombra una mano diestra y entrenada.

Fernando Ureña Rib


ROSA TRANSITORIA

Todo en lúcida forma te señala:
el sufrimiento, el alma sin noticia,
y tu forma de pájaro que escala
lo puro de ese cielo que se inicia.

Remota estás-¡oh rosa!-como una ala
en la muerte de póstuma caricia;
ya subes por el tiempo que señala
lo que duerme a tu ser en la delicia.

Todo en el orbe sin ficción te agota:
el vivo mar que todo lo fecunda
el pájaro olvidado en alta rama;

pues caes por amor en lo que anota
la soledad, que al sueño te circunda,
¡y que te nombra soledad en llama!

 

Fernández Spencer, Antonio

 

 

Antonio Fernández Spencer agotó una fructífera estadía en España y realizó allí una importante  producción poética y literaria . A su  retorno a República Dominicana fundó la Colección Arquero y laboró como Director del Museo de Arte Moderno y trabajó crítico literario y de estética en el periódico Última Hora. 

Nacido en Santo Domingo el 22 de junio de 1922 y fallecido en su ciudad natal el 10 de marzo de 1995, Antonio Fernández Spencer fue uno de los arquitectos del gran movimiento literario que fue La Poesía Sorprendida. Tras una primera etapa de formación en el país viajó a España donde fue alumno en los cursos de filosofía y estética de José Ortega y Gasset.

Aquella fue la época de una gran producción poética que quedó reconocida con importantes reconocimientos como los prestigiosos galardones poéticos Premio Adonais 1952 y Premio Leopoldo Panero 1969. Si la etapa española ha sido importante, mucho más lo será la de su regreso al país donde fundará la Colección Arquero.

Antonio Fernández Spencer fue un poeta y crítico culto y apasionado que daba mayor importancia a la fidelidad y transparencia de la imagen poética que a la supuesta objetividad de  la labor crítica.  Su obra lleva una carga de grandiosidad , y trascendencia-.

Obra
Vendaval interior (1944), Bajo la luz del día (1953), Nueva poesía dominicana (1953), A orillas del filosofar (1960), Ensayos literarios (en colaboración con Manuel Valldeperes) y Carlos Federico Pérez, 1960), Los testigos (1962), Caminando por la literatura hispánica (1964), Noche infinita (1967), Diario del mundo 1952-1967 (1970), El regreso de Ulises (1985), Obra poética completa(1985), Poemas sin misterio (1988), Cuando pasan los soles (1990), Abismos(1991).

Filed Under: Artists

Jeannette Miller

April 15, 2019 By dillon Leave a Comment

JEANNETTE MILLER

POETA, CURADORA Y CRÍTICO DE ARTE

FERNANDO UREÑA RIB

Los estudios críticos de Jeannette Miller tienen la particularidad de acercarse no sólo a las raíces históricas y sociales de la obra de arte en su contexto sino que, con una prosa concisa y basada en el dato concreto, ella descubre el aura, la poesía y el espíritu más allá de la materia, de la técnica y de la obra en la cual el artista se trasciende a sí mismo y se eleva por encima de la existencia temporal o de las limitaciones geográficas y culturales.

Ella se adentra por esos caminos que no están simplemente calzados de datos, de las piedras y adoquines textuales, sino de las emociones aladas que percibe el espectador ante la obra de arte ya realizada y madura.

Una generación de artistas ha ocupado la atención de esta crítica de arte que aún no culmina: La generación del Sesenta en República Dominicana.  Gilberto Hernández Ortega, Silvano Lora, José Rincón Mora, Iván Tovar, Gaspar Mario Cruz, Ada Balcácer y Fernando Peña Defilló cuentan con hermosos textos publicados por la pluma de esta poeta dominicana que un día detuvo sus ojos en el arte.

Fernando Ureña Rib


Biografía

Jeannette Miller nació en Santo Domingo el 2 de agosto de 1944) Poeta, ensayista, educadora y crítica de arte. Hija de Freddy Miller Otero y Rosa Rivas. Cursó su educación primaria y se-cundaria en Santo Domingo en los colegios Apostolado y María Auxi-liadora, respectivamente. Licenciada en Letras por la Universidad Autó-noma de Santo Domingo. Fue pro-fesora de esa misma universidad, de la Universidad Central del Este y de la Escuela Nacional de Bellas Artes. Ha dirigido numerosos talleres y seminarios sobre Gramática Españo-la y Redacción en diferentes insti-tuciones públicas y privadas. Ha sido jurado de los más importantes con-cursos de Literatura y Artes Plásti-cas celebrados en el país. Lleva muchos años dedicada a la crítica de Arte a través de la prensa nacional, especialmente en los periódicos El Caribe y Hoy. Es miembro del Pa-tronato del Museo de Arte Moderno de Santo Domingo y de la Casa del Escritor Dominicano. Entre los reco-nocimientos recibidos por su aporte a la Literatura y a las Artes Plásticas dominicanas, figuran: Premio de Investigación Teatro Nacional (1975), Premio a la Crónica y Críti-ca de Arte (1976) y Supremo de Plata Joyces (1977). Parte de su producción poética aparece en las antologías Poesía de post-guerra /joven poesía dominicana, de Andrés L. Mateo; Contemporary Women Authors of Latin American, editada por Brooklyn College, Voces feme-ninas del mundo hispánico, de Rami-ro Lagos; Sin otro profeta que su canto, de Daisy Cocco De Filippis; Dos siglos de literatura dominicana, de José Alcántara Almánzar y Anto-logía histórica de la poesía domini-cana del siglo XX, de Franklin Gutiérrez.

JEANNETTE MILLER

BIBLIOGRAFIA ACTIVA

POESIA. Fórmulas para combatir el miedo. Santo Domingo: Editora Taller, 1972. Fichas de identidad/Estadía. Santo Domingo: Editora Taller, 1985.

ENSAYO. Participación de la mujer en el proceso electoral dominicano. Santo Domingo: s. n., 1975. Gilberto Hernández Ortega o la trascendencia de un mundo mágico y poético. Santo Domingo. Galería de Arte Moderno, 1978. Historia de la pintura dominicana. Santo Domingo: Editora Amigo del Hogar, 1979. Actualización ortográfica. Santo Domingo: Oficina Nacional del Presupuesto, 1980. Guía de la Galería de Arte Moderno. Santo Domingo: Galería de Arte Moderno, 1982. Paul Guidicelli: sobreviviente de una época oscura. Santo Domingo. Galería de Arte Moderno, 1983. Fernando Defilló, desde el origen hacia la libertad. Santo Domingo. Galería de Arte Moderno, 1983. Fernando Defilló: mundo paralelos. Santo Domingo: Amigo del Hogar, 1985. Paisaje dominicano: pintura y poesía. Santo Domingo: Banco Hipotecario Dominicano, 1992. José Rincón Mora. Santo Domingo: Centro cultural Hispánico, 1996. Arte dominicano, artista españoles y modernidad: 1920-1961. Santo Domingo: Centro Cultural Hispánico, 1996. Noemí Ruiz y la poesía visual del trópico. San Juan, Puerto Rico: s.n., 1997. Gaspar Mario Cruz: poeta de las formas. Santo Domingo: s. n., 1997.

BIBLIOGRAFÍA PASIVA

Adams, Clementina R. “Jeannette Miller”, en Common Threads: Afro-Hispanic Women’s Literature. Miami: Ediciones Universal, 1998: 144-151. | Cabrera, Fernando. Jeannette Miller y su estremecedora voz de poeta”. El Caribe [Suplemento cultural] 23 de enero, 1999: 3. | Fenwick, M. J. “Jeannette Miller”, en Writers of the Caribbean and Central América. New York & London: Garland Publishing, 1992: 1284. | Gerón, Cándido. Diccionario de autores dominicanos 1492-1994, 2da. ed.. Santo Domingo: Editora Colorscan, 1994: 254. | Gutiérrez, Franklin. Antología histórica de la poesía dominicana del siglo XX . Puerto Rico: Editorial de la Universidad de Puerto Rico, 1998: 309-316. | Lagos, Ramiro. Voces femeninas del mundo hispánico. Colombia: Centro de Estudios Poéticos Hispánicos, 1991: 307-308, 310. | Herdeck, Donald E. “Jeannette Miller”, en Caribbean Writers: A Bio-bibliographical-Critical Encyclopedia. Washington, D. C.: Three Continental Press, 1979: 825. | Meyer, Doris and Fernández Olmos, Margarite. “Jeannette Miller”, en Contemporary Woman Authors of Latin American. New York: Brooklyn College Press, 1983: 42-43. | Martínez, Carlos T. “Jeannette Miller”, en Grandes dominicanos. Santo Domingo. Ediciones Catemar, 1998: 493-511. | Olivier, Maritza “Jeannette Miller”, en Cinco siglos con la mujer dominicana. Santo Domingo: Amigo del Hogar, 1975: 136. | Molina Morillo, Rafael. Personalidades dominicanas 1988-1989. Santo Domingo: Molina Morillo & Asociados, 1988: 347. | Prosdocimi de Rivera, María del Carmen. “En la evolución de la poesía de Jeannette Miller hay claves y constantes que van acentuándose”, en Presencias. Santo Domingo: Colección Banreservas, 1999: 333-336. | Prosdocimi de Rivera, María del Carmen. “Hay un autoenfrentamiento sin concesiones en la poesía reciente de Jeannette Miller”, en Presencias. Santo Domingo: Colección Banreservas, 1999: 343-346, 333-336. | Rueda, Manuel. “Jeannette Miller”, en Dos siglos de literatura dominicana. Santo Domingo: Colección Sesquicentenario de la Independencia Nacional, 1996: 475-482.

FUENTE:
www.escritoresdominicanos.com
PÁGINA DEDICADA A LA PROMOCIÓN DE LA LITERATURA DOMINICANA

 

Jeannette Miller
Poet, Art Critic and Art CuratorLIENZOGRAFÍAS


Poeta, narradora, ensayista e historiadora de arte, nació en Santo Domingo, el 2 de agosto de 1944. Se inició como escritora con el grupo llamado Generación del 60, con Miguel Alfonseca, René del Risco, Armando Almánzar, Iván García, Jacques Viau y otros… Ha publicado tres libros de poemas: El Viaje (Cuadernos Hispanoamericanos, separata, 1967), Fórmulas para Combatir el Miedo (Taller, 1972) y Fichas de Identidad/Estadías (Taller, 1985). Un libro de narraciones, Cuentos de Mujeres (Cole, 2002) y una novela, La Vida es otra cosa (Alfaguara, 2005). Además, varios ensayos y trabajos de investigación entre los que se destacan Participación de la Mujer en el Proceso Cultural Dominicano (1975), Artes Plásticas, Enciclopedia Dominicana (1976), Gilberto Hernández Ortega o la Trascendencia de un Universo Mágico y Poético (1978),Historia de la Pintura Dominicana (1979), Ortografía (1981), Redacción (1983), Contemporary Dominican Art. The Signs Gallery. New York, (1981), Guía de la Galería de Arte Moderno (1982), Arte Dominicano desde la Independencia. (1982),Paul Guidicelli: Sobreviviente de una Época Oscura (1983), Fernando Peña Defilló: Desde el Origen hacia la Libertad (1983), Fernando Peña Defilló: Mundos Paralelos (1985), Paisaje Dominicano: Pintura y Poesía (1992), José Rincón Mora (1996), Arte Dominicano, Artistas Españoles y Modernidad:1920-1960, Ediciones Centro Cultural Hispánico e Instituto de Cooperación Iberoamericana, Santo Domingo República Dominicana (1996), Noemí Ruiz y la Poesía Visual del Trópico (1997), Gaspar Mario Cruz: poeta de las formas (1997), Domingo Batista: esencia y monumentalidad del paisaje dominicano, Domingo Batista: fotografías dominicanas. Consejo Presidencial de Cultura. Santo Domingo, República Dominicana. (1999), Fernando Peña Defilló (2000),Cuentos Dominicanos. Colección Letra Grande, coedición UNESCO y Editorial Popular, Paris-Madrid (2000), Arte Dominicano:1844-2000.Pintura, dibujo, gráfica y mural (2001); Tesoros de Arte del Banco Popular Dominicano (2001); Arte Dominicano:1844-2000.Escultura, instalaciones, medios no tradicionales y arte vitral (2002); Magia y verismo del blanco y negro en el arte fotográfico de Max Pou. Cien veces Max. Centro León. Santiago de los Caballeros.( Febrero del 2005); La Mujer en el Arte Dominicano (2005). Fredy Miller: realidad y leyenda (2005);María Ugarte: textos literarios (2006); e Importancia del contexto histórico en el desarrollo del arte dominicano (2006). Ha participado como ensayista en los libros Latin American Art in the 20th Century. Phaidon Press Limited, Londres, Inglaterra (1996) y Editorial Nerea, Madrid (1998); Contemporary Dominican Art. Americas Society y Spanish Institute, New York, (1996); Arte Latinoamericano y del Caribe al umbral del Siglo XXI, UNESCO, Paris, (1999); Murales Dominicanos. Coedición Consejo Presidencial de cultura-UNESCO. Amigo del Hogar. Santo Domingo, República dominicana. (2000).Escribió el guión cinematográfico para la película El Mundo Mágico de Gilberto Hernández Ortega, que hizo la Cinemateca Nacional (1979). Ha escrito la crítica de artes plásticas para los periódicos El Caribe y Hoy, Santo Domingo, R. D. Ha sido Miembra del Patronato del Museo de Arte Moderno de Santo Domingo. Ha participado como expositora en numerosos congresos nacionales e internacionales sobre arte, literatura y cultura e identidad. Ha sido jurado en concursos y bienales nacionales y fuera de su país. Ha colaborado con prestigiosas publicaciones internacionales: Cuadernos Hispanoamericanos (Núm.208, Madrid, España, 1967); Geomundo (Miami, EE.UU.1979); Plástica (San Juan, Pto. Rico,1993); Homines (Universidad Interamericana de Puerto Rico. San Juan, Puerto Rico. 1996); Calaloo. (Universidad de Virginia, Estados Unidos. 1999);Confluencia (Universidad de Northern,Colorado, EE.UU.2004); Arte al día Internacional (Miami, EE.UU.2004); Global (Santo Domingo, Rep. Dom. 2004); Ceramics (Sydney, Australia. 2004). Ha recibido importantes premiaciones y distinciones, entre ellas: Premio Investigación Teatro Nacional y Comisión Jurídica de la Mujer ante las Naciones Unidas (1975); Premio a la Crónica y Crítica de Arte Fundación Pellerano Alfau (1976); Supremo de Plata Jaycee´s a los 10 jóvenes más sobresalientes del país (1977); Círculo de Plata Jaycee´s por continuidad de labor en la comunidad (1997); Premio Mejor Libro de Arte 1997 por la Asociación Puertorriqueña de Críticos de Arte (AICA) (1997); Mejor Publicación Especializada en Artes Plásticas (1998), por la Asociación Dominicana de Críticos de Arte (ADCA) (1997); Mención de Honor en el Concurso Internacional de Cuentos Casa de Teatro (2000); Medalla de Honor al Mérito por la Secretaría de Estado de la Mujer (2002); Su poema “Porque la muerte es esta sensación de nada y de vacío…” fue seleccionado por la Revista Calaaloo de la Universidad de Virginia, Estados Unidos, como una de las mejores piezas poéticas de los últimos 25 años aparecidas en esa publicación; Invitada de honor a la 5ta. Bienal de Poetas en Val-de Marne, Paris, Francia, (1999);Premio Especial en el Concurso Internacional de Novela Casa de Teatro (2005);Miembro de la Academia Dominicana de la Historia. (2006); Diploma de Reconocimiento como Mujer Destacada, Cámara de Diputados de la República Dominicana (8 de marzo, 2006). Fue miembra del Consejo Presidencial de Cultura de la República Dominicana, de la Comisión Nacional de la UNESCO y de la Casa del Escritor Dominicano, habiendo participado en la fundación de estos organismos. Es licenciada en Letras y ha ejercido la docencia en la Universidad Autónoma de Santo Domingo (UASD), en la Universidad Central del Este (UCE) y en la Escuela Nacional de Bellas Artes (ENBA).Sus poemas han sido traducidos al inglés, francés e italiano e incluidos en múltiples antologías y ensayos, entre los que se encuentran: Historia de la Literatura Hispanoamericana. Época Contemporánea. Enrique Anderson Imbert. Breviarios del Fondo de Cultura Económica. México D. F. Quinta Edición (1966);Antología de la Literatura Dominicana. José Alcántara Almánzar. Colección Biblioteca Esencial. Editora Cultural Dominicana. santo domingo, Rep. Dom. (1972); Una evaluación de la situación de la mujer. Oficina del Programa de las Naciones Unidas para el Desarrollo. Santo Domingo, República Dominicana (1975); Cinco Siglos con la Mujer Dominicana. Maritza Olivier. Amigo del Hogar. Sto. Dgo. Rep. Dom. (1975);La Poesía Dominicana en el Siglo XX. Alberto Baeza Flores.Universidad Católica Madre y Maestra. Santiago, República Dominicana.(1976); Enciclopedia Dominicana. Ediciones Dominicanas.1976. Santo Domingo, República Dominicana. (1976); Lecturas Dominicanas. Carlos Fernández Rocha y Danilo De los Santos. Universidad Católica Madre y Maestra. Santiago, República Dominicana. (1977); Caribbean Writers: A biobibliographical-Critical Encyclopedia. Donald E. Herdeck. Three Continental Press. Washington D. C. USA; Cantos al Amor: antología de la poesía amorosa dominicana. Pedro Bisonó. Santo Domingo, República Dominicana (1978); Escritores y Artistas dominicanos. Héctor Incháustegui Cabral. Colección Estudios. Universidad Católica Madre y Maestra (UCMM). Santiago, República Dominicana. (1979); Poesía de Post-guerra/ Joven Poesía Dominicana Andrés L. Mateo. Santo Domingo, República Dominicana (1981); La Tierra más Hermosa. Alberto Baeza Flores. Editora Taller, Santo Domingo, República Dominicana. (1981); Contemporary Women Authors of Latin America. Doris Meyers y Margerite Fernández Olmos. Brooklyn College Humanities Institute Series, USA. (1983); Los Poetas Dominicanos de 1965: una generación importante y distinta. Alberto Baeza Flores Colección Orfeo. Biblioteca Nacional. Santo Domingo, República Dominicana (1985); El Síndrome de Penélope en la Poesía Dominicana. Tony Raful y Pedro Peix. Biblioteca Nacional. Editorial Santo Domingo. Sto. Dgo. Rep. Dom. (1986); Personalidades Dominicanas 1988-1989. Rafael Molina Morillo. Molina Morillo y Asociados. Santo Domingo, República Dominicana (1988); Sin otro profeta que su canto, Daisy Cocco de Filippis. Editora Taller. Santo Domingo, República Dominicana. (1988); Voces Femeninas del Mundo Hispánico. Ramiro Lagos. Centro de Estudios Poéticos Hispánicos. Colombia. (1991); Writers of the Caribbean and Central America. Fenwick, M. J., New York and London. Garland Publishing. (1992); Apuntes Bibliográficos sobre la Literatura Dominicana. Miguel Collado. Colección Orfeo. Biblioteca Nacional. Santo Domingo, República Dominicana. (1993);These are not sweet girls:Poetry by Latinamerican Women, Marjorie Agossin. White Pine Press, New York, USA (1994); Diccionario de Autores Dominicanos 1492-1994. Cándido Gerón. Segunda Edición, Editora Colorscan. Santo Domingo, República Dominicana (1994); Historia de la Cultura Dominicana. Mariano Lebrón Saviñón. Ediciones Sequiscentenario de la Independencia Nacional. Editora Taller. Santo Domingo, República Dominicana. (1994); Poésie Dominicaine du XXe Siecle, Claude Couffon. Geneve, Suiza (1995) ; Dos Siglos de Literatura Dominicana Colección Sesquicentenario de la Independencia Nacional, Sto. Dgo. Rep. Dom. (1996); Bibliografía de la Literatura Dominicana -1820-1990-. Frank Moya Pons. Comisión Permanente de la Feria Nacional del Libro. Amigo del Hogar.Santo Domingo, Rep. Dom. (1997); Common Threads: Afro-Hispanic Women’s Literature, Adams, Clementina R. Ediciones Universal, Miami, Florida EE.UU.(1998); Grandes Dominicanos. Carlos T. Martínez. Ediciones Catemar, Santo Domingo, República Dominicana.(1998); Presencias. María del Carmen Prosdocimi de Rivera.Colección Banreservas, Santo Domingo, Rep. Dom (1999); Memorias del Viento Frío: poesía de la guerra y la postguerra. Pedro Conde WWW.cielonaranja.com; Antología Histórica de la Poesía Dominicana del Siglo XX. Franklyn Gutiérrez. Editorial de la Universidad de Puerto Rico. Puerto Rico(1999); Homenaje de los Poetas Dominicanos a la Cultura Francesa. Mateo Morrison. Ediciones Espacios Culturales. III Feria Internacional del Libro. Santo Domingo, República Dominicana.(2000); Miroirs de la Caraibe: douze poetes de Saint Domingue, José Rafael Lantigua y Delia Blanco. Le Temps de Cerises, Francia, (2000) ; L’Anthologie 2000:Biennale Internationale des Poetes en VAL-DE-MARNE, Henry Deluy.Ediciones Farrago, Paris, Francia (2000); Callaloo’s 25th Anniversary: Best Poetry, University of Virginia, Charlottesville, VA, USA (2001);Estudios en honor de Janet Perez: El sujeto femenino en escritoras hispanicas by Susana Cavallo, Luis A. Jimenez, Oralia Preble-Niemi. Hispanic Revue. Vol. 69, No. 1 JSTOR by _University of Pennsylvania Press. (Winter, 2001); Antología Mayor de la Literatura Dominicana: prosa y poesía. José Alcántara Almánzar (prosa) y Manuel Rueda (poesía). Editoria Corripio. Santo Domingo, República Dominicana. (2002); Ensayos críticos sobre escritoras dominicanas del siglo XX. Miguel Collado y Rafael Peralta Romero. Centro Dominicano de Investigaciones Bibliográficas –CEDIBIL-. Santo Domingo, República Dominicana. (2002); The Committed Word: Studies in Spanish and American Poetry. Merlin H. Forster. University: Romance Monographs. (2002);Libros revueltos…ganancias de pensadores. Francisco Henríquez Rosa. Fundación para la Educación y el Arte –EDUCARTE- (2003);Santo Domingo, su poesía. Miguel D. Mena. Ediciones Cielonaranja. Santo Domingo-Berlín (2005); The Oxford Book of Caribbean Verse . Oxford Book of Verse. Stewart Brown, Mark Mcwatt. Oxford University Press. (2005); Antología Mayor de la Literatura Dominicana: prosa y poesía. José Alcántara Almánzar (prosa) y Manuel Rueda (poesía). Editoria Corripio. Santo Domingo, República Dominicana. (2002); Breve antología del cuento dominicano, Editora Cole, Sto. Dgo. Rep. Dom. (2003); De espantos y espasmos: cuentos de amor y visiones. Julieta Haidar y Pablo Maríñez. Ediciones moradas. Editora Búho. Santo Domingo, República Dominicana. (2003); Pensantes, Ángela Hernández. Ediciones Calíope, New York, EE.UU. (2004); La isla que se cuenta. Ángela Hernández. Editorial Letragráfica. Sto. Dgo. Rep. Dom. -En prensa-; Onde, farfalla e aroma de café. Danilo Manera. Editorial Azulejos. Italia.(2005).

Filed Under: Artists

Canvas Building Covers

April 10, 2019 By dillon Leave a Comment

 

There are many uses for canvas buildings. One of the most common uses is a garage or other storage area. By using a canvas building, you can protect your vehicles without all of the trouble of a full garage. Also, they are a great alternative when you do not have enough room for a traditional garage. A canvas garage provides protection from the basic elements as well as debris and other considerations that can damage your vehicle such as birds. However, unlike a traditional garage, a canvas one is portable and lightweight. A garage is only one of the many different ways a canvas building can be incredibly useful. Also, these types of buildings can be erected in many different sizes. On the small end of the spectrum, you will find the car covers/garages and tents. On the larger end of the spectrum, you will find options big enough to encompass an entire stadium. These are the type of structures you see at concerts, circuses, and large fairs and events. The best thing about these types of structures is that they are incredibly portable, relatively easy to put together and take down, while still being sturdy and strong. These types of structures have been relied on for some of the world’s biggest events, the most well-attended concerts. Anyone can rent or purchase one of the metal structures and the corresponding canvas cover. All you need is a bit of information, time, and the appropriate amount of money.

Different companies charge different prices, but there will be a general price base that you can rely on when searching for the best option to suit your needs. Keep in mind that not all companies will carry all sizes of canvas building covers. This includes those that can be purchased, those that are meant to be rented, and the replacement canvases. If you are looking for an incredibly specific size, it may take a little more time and effort to find. The same can also be true if you need to rent on a specific date. There is always a chance that the size you need will already be rented on the day that you need it. This is especially true if you wait until close to the event to attempt to reserve the canvas. It is always best to make the reservation as early as possible. Generally speaking, as soon as you know that you are going to need a canvas building cover, and when you are going to need it, you should immediately begin the process of finding and reserving the size you need. Also, the earlier you being the process, the more time you will have to shop around and ensure you are getting the best price possible for the size you need for the length of time you need it. For more information, take a moment to check out this link, https://absolutelycovered.ca

The first step in the process, regardless of whether you are buying or renting, is to make a list of requirements. This will include things like the exact size that you need, any size compromises, the budget you have to work with, and anything else you deem relevant to the decision. This list should include anything that you need without compromise from the company that you choose. This is one of the most important parts of the process, therefore, it is important to take your time and make sure that you have everything of import. The budget is an incredibly important part of this list. You need to know exactly how much you can spend on this particular item. It is best to set the price that you would prefer to pay as well as the absolute maximum that you are able to spend. This way you will be able to keep track of your budget better. Also, setting a preferred price as well as a maximum gives you a bit of room to work with you are not able to find something for your preferred price.

Once you have your list, all that is left is to search for a company that meets your predetermined criteria. The first step to this is to scour the internet to find all of your options. This is a simple process, all you need is a few keywords, an active internet connection, and an internet capable device equipped with a browser. It is a common misconception that you need a specific device or a specific browser to find the results that you need. This is not accurate. This most likely stems from the fact that every internet browser relies on its own algorithms. This means that you will get slightly different results on different browsers when using the exact same keywords. This means that you may need to alter your keywords a bit depending on which browser you are using. It is likely that you will need to order the canvas from an online retailer, which means that you will not need to include terms in your search. Instead, focus on terms such as “rent a canvas building” or something similar. If you find that you are seeing the type of results you are looking for, back up and alter your keywords a bit until you find what you are looking for.

After you have a list of options, you will need to look at options within the companies and compare everything to your list of prerequisites. First, look at shipping. Look at the cost of shipping as well as shipping speeds available. Some companies offer basic shipping as well as expedited shipping while others only offer one option. Next, look at sizes available and how long each rental is listed for. Some companies offer per day rentals while others offer the rentals in three-day batches. Once you have all of this information, you will be able to make an informed decision. This process will give you the opportunity to compare different companies to each other as well as your list of requirements.

Filed Under: Outdoors

When Should I See the Dentist?

April 10, 2019 By dillon Leave a Comment

 

Have you been experiencing some sort of pain or discomfort or you have been wondering if it’s time you see your dentist? What makes it time to see your dentist? It’s not just because it’s time for your six-month cleaning and you get a phone call from the dental office reminding you. Therefore, our expert Waterloo dentist is here to explain the reasons why you should see your dentist. Keep reading to learn more.

The first issue you may be experiencing which is one of the main reasons why you should be seeing the dentist is if you are experiencing pain. Whether the pain is going away and coming back, it may be time you see your dentist and find out what is going on once and for all. Typically, people see their dentists once they have pain and that means the issues have already occurred. That is one of the reasons why it’s so important to go to your dentist every six months. This means that they may see something they can fix before it becomes a bigger issue. If you are experiencing pain, that typically means that it is around your face or neck. This can end up being a number of small or large issues so make sure you book a dentist appointment as soon as possible.

The next issue that can occur is if your gums are acting up. Your gums can sometimes bleed if you start flossing and you have not been flossing for a while. However, if your gum is flossing more regularly, this can be a sign of gum disease. This is especially more common if you or your family has a history with gum disease. Make sure you call your dentist right away and book an appointment.

If you are self-conscious about your smile it may be for a number of different reasons. Don’t be shy about talking about these issues with your dentist. There probably is something they can do or recommend so you have more confidence when you are meeting people for the first time. Whether you have a missing tooth, or you simply want a much brighter smile, the dentist can help solve both of those issues.

The next reason to see your dentist is if you have had work done in the past, it’s a good idea for the dentist to check on it to ensure it is still looking good. Some of those items would be dentures, dental implants if you have had a crown or a filling put in, or anything other dental work you have had in the past. It’s a good idea to see your dentist so they can keep their eye on it and make sure it is still working well.

If you are pregnant, it’s important that you see your dentist. In fact, many people don’t realize how important seeing your dentist is when your pregnant and there is a myth that you should not see the dentist when you are pregnant. You should go in for at least one checkup during your pregnancy and if anything is going wrong during the pregnancy, make sure you speak with your dentist about it too. Pregnancy can cause some dental problems and if you ignore them while pregnant, it can cause even more issues.

If you are having any trouble eating its time you saw your dentist. Whether that means you have sensitivity with some hot or cold food or beverages, or some areas of your mouth hurt when you are chewing, it’s a good idea to call your dentist.

Having a dry mouth can be a sign of a medical condition and a side effect of many different things associated with the rest of your body. If you are drinking enough water and you have never had a dry mouth problem in the past, it’s time you contact your dentist to ensure it is nothing more severe.

If you use tobacco you know that it can be harmful to not only your overall health but your mouth especially. Smoking cigarettes or chewing tobacco can lead to harm in your dental health and it’s important that you see the dentist even more regularly.

If you are experiencing jaw pain when you are opening or closing your mouth, it’s time you spoke with your dentist. Although this may be TMJ and will go away on its own soon, you also want to ensure it is nothing more serious.

The final time we recommend you see your dentist is when it is time for your checkup. You should go for a checkup and cleaning every six months. Even if you are not showing any negative signs or symptoms, the dentist and their staff can still help to prevent issues and even treat symptoms before they become an even bigger problem. Make sure you see your dentist every six months. When you see them regularly, this will allow you to have an even better relationship with them and allow you to feel more comfortable with the entire staff, including the dentist. For more information on seeing the dentist, contact us today.

Filed Under: Art Of Health

What is a Root Canal?

April 10, 2019 By dillon Leave a Comment

 

You may have wondered what a root canal is before. Perhaps this is because you are curious or because you have been told by the best dentists in Pasadena TX that you are in need of one. Regardless of the reason, you are finding yourself searching to learn more about them and what they actually will do to your tooth and overall mouth. That is why the experts are here to explain what a root canal is as simply put as possible. Keep reading to learn more.

If you have a tooth that has been damaged or has issues that are past a cavity, your dentist or endodontist may have told you it’s time for a root canal. This is a very common procedure and it helps millions of teeth in America every single year. It will help to relieve the pain and make your teeth healthy again in no time.

The tooth is a complex place. Underneath the tooth and under the white enamel is dentin. This is a hard layer. There also is a layer of soft tissue which is called pulp. This has very sensitive blood vessels, nerves, and has a connective tissue. This ends up going all the way up to the tooth. A tooth that is fully developed can continue to live on without pulp since the teeth can still be nourished by the tissues around it.

There is a lot of new and amazing technology today that allows getting a root canal complete almost painless and it is very effective. You will be right back to chewing in no time.

There are a lot of advantages to going with a root canal procedure. At the end of the day, this will save your natural tooth and that’s always the best and more effective route to take. There are more advantages than just that though. You will also be able to chew better, you will have normal biting sensation back. That means if it was hard to chew from pain before, you can say goodbye to that. It will give you a very natural appearance. Finally, if one of your teeth is not working, the others have to work even harder so you are saving your other teeth from excessive wear.

The next question that you may be wondering is how a root canal happens. What does the dentist need to do in order to perform a root canal? We will now talk about this. If the pulp has become inflamed or infected then there is probably deep decay within the root. Also, if your tooth has gone through trauma, there also can be damage done to the pulp even if there is no visible crack. It the pulp is inflamed and left untreated, it can lead to pain.

When a root canal is performed you to to the endodontic or dental office and the infected pulp is removed as well as inside the tooth to ensure each part is cleaned and disinfected properly. It is then filled with a rubber material that is called gutta-percha. Once this is finished, the tooth is restored by putting a crown on top of it or it is filled for protection. By doing this it will be able to continue to act just like the other teeth you have and function much better and with less pain than before.

A root canal will remove the need for additional dental work with the tooth down the road. You will suddenly be able to enjoy some of the foods you loved before and the best news is that the root canal treatment lasts forever.

There are quite a few different signs for showing you may need a root canal. Some of these including pain, sensitivity to heat or cold food or beverages, having it tender when you touch or chew is discoloration of the tooth, swelling, and finally drainage. If the tooth has been affected by trauma however, there sometimes can be no symptoms.

Almost all teeth can be treated by a root canal. The only reason why a tooth could not have a root canal done is that the tooth could not be saved and the tooth instead would need to be extracted and another procedure would need to be complete.

There are many myths associated with root canals. One is that it’s a better idea to have the tooth pulled and start from scratch with a new tooth than to have a root canal performed. Saving your natural teeth is always the best option if you still have that option. Root canals have a very high success rate and allow the solution to last your entire life.

As you can see, a root canal has so many great quality which will help restore your tooth so you have a big and beautiful smile again. It can be a little scary to hear the word root canal but don’t worry, just do your research on who you want to perform the root canal and you will be on your way to feeling more confident with your smile again soon. For more information on a root canal or to set up an appointment at our office, contact us today.

Filed Under: Art Of Health

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